Galungan in Bali

Welcome to Visit Bali now... Galungan is a Balinese holiday that occurs every 210 days and lasts for 10 days. Kuningan is the last day of the holiday. Galungan means "When the Dharma is winning." During this holiday the Balinese gods visit the Earth and leave on Kuningan. Occurring once in every 210 days in the pawukon (Balinese cycle of days), Galungan marks the beginning of the most important recurring religious ceremony that is celebrated by all Balinese. During the Galungan period the deified ancestors of the family descend to their former homes. They must be suitably entertained and welcomed, and prayers and offerings must be made for them. Those families who have ancestors that have not yet been cremated, but are still buried in the village cemetery, must make offerings at the graves.

Although Galungan falls on a Wednesday, most Balinese will begin their Galungan 'holiday' the day before, where the family is seen to be busily preparing offerings and cooking for the next day. While the women of the household have been busy for days before creating beautifully woven 'banten' (offerings made from young coconut fronds), the men of our village usually wake up well before dawn to join with their neighbours to slaughter a pig unlucky enough to be chosen to help celebrate this occasion. Then the finely diced pork is mashed to a pulp with a grinding stone, and moulded onto sate sticks that have been already prepared by whittling small sticks of bamboo. Chickens may also be chosen from the collection of free-range chickens that roam around the house compound. Delicate combinations of various vegetables, herbs and spices are also prepared by the men to make up a selection of 'lawar' dishes.

While much of this cooking is for use in the offerings to be made at the family temple, by mid-morning, once all the cooking is done, it is time for the first of a series of satisfying feasts from what has been prepared. While the women continue to be kept busy with the preparations of the many offerings to be made at the family temple on the day of Galungan, the men also have another job to do this day, once the cooking is finished. A long bamboo pole, or 'penjor', is made to decorate the entrance to the family compound. By late Tuesday afternoon all over Bali the visitor can see these decorative poles creating a very festive atmosphere in the street.

On Wednesday, the day of Galungan, one will find that most Balinese will try to return to their own ancestral home at some stage during the day, even if they work in another part of the island. This is a very special day for families, where offerings are made to God and to the family ancestors who have come back to rest at this time in their family temple. As well as the family temple, visits are made to the village temple with offerings as well, and to the homes of other families who may have helped the family in some way over the past six months.

The day after Galungan is a time for a holiday, visiting friends, maybe taking the opportunity to head for the mountains for a picnic. Everyone is still seen to be in their 'Sunday best' as they take to the streets to enjoy the festive spirit that Galungan brings to Bali.

Bali Geography

The island of Bali lies 3.2 km (2 mi) east of Java, and is approximately 8 degrees south of the equator. East to west, the island is approximately 153 km (95 mi) wide and is approximately 112 km (69 mi) north to south; it's land area is 5,632 km². The highest point is Mount Agung at 3,142 m (10,308 feet) high, an active volcano that last erupted in March 1963. Mountains cover centre to the eastern side, with Mount Agung the easternmost peak. Mount Batur (1,717 m) is also still active, an eruption 30,000 years was one of the largest known volcanic events on Earth.

In the south the land descends to form an alluvial plain, watered by shallow rivers, drier in the dry season and overflowing during periods of heavy rain.

The principal cities are the northern port of Singaraja, the former colonial capital of Bali, and the present provincial capital and largest city, Denpasar, near the southern coast. The town of Ubud (north of Denpasar), with its art market, museums and galleries, is arguably the cultural centre of Bali.
Southern Bali in the foreground and Mount Agung behind
Southern Bali in the foreground and Mount Agung behind

There are major coastal roads and those that cross the island mainly north-south. Due to the mountainous terrain in the island's center, the roads tend to follow the crests of the ridges across the mountains. There are no railway lines.

The island is surrounded by coral reefs. Beaches in the south tend to have white sand while those in the north and west have black sand. The beach town of Padangbai in the south east has both. The Ho River is navigable by small sampan boats. Black sand beaches between Pasut and Klatingdukuh are being developed for tourism, but apart from the seaside temple of Tanah Lot.

To the east, the Lombok Strait separates Bali from Lombok and marks the biogeographical division between the fauna of the Indomalayan ecozone and the distinctly different fauna of Australasia. The transition is known as the Wallace Line, named after Alfred Russel Wallace, who first proposed transition zone between these two major biomes. When sea levels dropped during the Pleistocene ice age, Bali was connected to Java and Sumatra and to the mainland of Asia and shared the Asian fauna, but the deep water of the Lombok Strait continued to keep Lombok and the Lesser Sunda archipelago isolated.

Sangeh Bali

Welcome to visit bali now... It is located near to Sangeh village; the renowned 6 hectares of Bali Sangeh Monkey Forest are filled with giant nutmeg trees capable of growing as high as 40m. Sangeh Monkey Forest near the village of Sangeh, in southwestern Bali, has six hectares of forestland with giant nutmeg trees. The main attractions here are the hordes of funny yet wise Balinese monkeys inhabiting both the trees and the temple, Pura Bukit Sari, found in the heart of the forest. The monkeys of the forest are believed to be sacred and indeed will approach anyone paying respects at the temple. But visitors should be aware that these monkeys are attracted to shiny objects, so cameras and jeweler should be left behind or kept well hidden under clothes or in a bag when exploring Sangeh Bali.

Near Sangeh village, about 20 km north of Denpasar. This forest of approximately 6 hectares is filled with giant nutmeg trees that can grow up to 40m high. The main attractions are the hordes of Balinese monkeys that inhabit the trees and the temple, Pura Bukit sari, located in the heart of the forest. The temple, Pura Bukit Sari, was originally built around the 17th century as an agricultural temple and has been restored several times, most recently in 1973. In the central courtyard, a large statue of Garuda, an old carving of uncertain date, symbolizes freedom from suffering and the attainment of amerta, the elixir of life. The forest of nutmeg trees in which it lies was presumably planted deliberately a long time ago, for it is unique in Bali.

Kertha Gosa Pavilion

The Kertha Gosa pavilion is an example of Balinese architecture located on the island of Bali, in the city Klungkung, Indonesia. The Kertha Gosa Pavilion at Klungkung was first built in the early 18th century by Dewa Agung Gusti Sideman. The first function of the pavilion was for the court of law in 1945. Kertha Gosa was repainted in the 1920s and again in the 1960s. The people who discovered the pavilion knew there was an extensive history behind the pavilion. The discovery of Kertha Gosa pavilion was only known by people writing about it here or there to others outside of Bali. The Kertha Gosa Pavilion at Klungkung has the story of Bhima Swarga painted around the ceiling. Bhima Swarga is a Hindu epic referenced form the Mahabharata. The story at the Kertha Gosa Pavilion is not the whole Mahabharata but one small section called Bhima Swarga.

Kertha Gosa means - “the place where the king meets with his ministries to discuss questions of justice.” The story of Bhima Swarga is elaborate and all-embracing. Bhima Swarga in Balinese means, “Bhima goes to the abode of the gods.” Swarga literally means to any place where the gods happen to reside, Heaven or Hell.

Bhima, the second oldest of the five Pandava brothers, is forced by his mother Kunti with the mission to rescue from Hell the souls of his earthly father Pandu, and his second mother, Madri. After saving Pandu and Madri from Hell, Bhima must secure them for Heaven. Throughout Bhima’s journey to Heaven and Hell he is accompanied by his two loyal servants (the clown characters). These made up characters are highly important to the story Bhima Swarga because the ordinary Balinese can relate to the characters in the story Bhima Swarga because the characters represent ordinary Bali.

Bhima’s siblings go through hell right along with Bhima to rescue their parents. The siblings observe people being tortured for their sins. The siblings are Arjuna, Nakula, Sahadewa, Yudisthira, and Bhima. The two clown characters whom accompany Bhima on his journey to Hell are Twalen and Mredah. Twalen wears a black checkered loin cloth and is the helper to Bhima. Twalen translates what is being said by Yudisthira and Kunti. Mredah always wears red checkered loin cloths and he also helps Bhima along with cracking a joke to lighten the mood. Bhima goes to Hell to rescue his parents and when he arrives he finds his parents are in a huge hot water bath. Bhima tips the bath which his parents were boiling in and they are taken off to Heaven. The Demons did not like Bhima rescuing his parents and allowing them to go to Heaven. Bhima then has to fight off the Demons. Next, the Gods do not like this idea of Bhima taking his parents from Hell to Heaven. Bhima then gets into a fight with the Gods and Bhima dies in Heaven. The high God of all restores Bhima back to life and gives Bhima the drink of immortality. The last scene of Bhima Swarga shows justice, even with punishments of Hell.

Trunyan Bali

Trunyan is accessible only by boat and I made my mid-morning crossing from the village of Toya Bungkah, which was only a 20-minute journey. The cool waters of Lake Batur were calm on the way over, but the return trip was slightly choppy due to the strong afternoon winds.

The main temple of Trunyan, Pura Pancering Jagat, is known locally as the ‘temple of the navel of the world’ and stands by an ancient banyan tree that is said to be over 1000 years old. The name of this temple is derived from the megalithic statue known as Arca Da Tonta or Ratu Gede Pusering Jagat. A major temple ceremony (odalan) takes place here annually around the full moon of October in accordance to the Balinese lunar calendar. A unique dance called the Barong Brutuk is performed on this occasion to commemorate the legendary wedding anniversary between Ratu Sakti Pancering Jagat and the patron guardian of the village Ratu Ayu Dalem Pingit.

Beyond Trunyan is another separate place known as Kuban that is also only accessible by boat as there is no pathway joining the two. Here I discovered a Pura Dalem (temple of the dead) and an adjacent cemetery that lies beneath a tree known as Taru Menyan. The people of Trunyan do not practice cremation or even bury their dead. Instead they lay a deceased body wrapped in white cloth with the head clearly visible in a bamboo cage to naturally decompose.

Strangely enough there is no stench surrounding this unusual cemetery area. According to my guide, Made Kayun, this is due to the presence of the Taru Menyan tree with roots buried deep beneath the rotting bodies that mysteriously eliminate any trace of odour. “This cemetery only ever accommodates a maximum of 11 decomposing bodies at a time, never more than that,” Made explains. He went on to say that not every dead body is placed at this cemetery, especially if the death is caused by suicide or some other wrong doing.

However, if a local death occurs space is made in the cemetery by moving the most decomposed body and placing the bones on a stone platform. It is here that one will see a most macabre collection of skulls and bones, evoking imagery of the ‘killing fields’ in Cambodia.

Made Kayun also discussed the fact that the volume of water from Lake Batur varies significantly from time to time. On this particular trip the jetty was standing extremely high from its normal water line. But perhaps this had something to do with the lake water being used as a main source to irrigate so many local rice fields.

North Paths of Badung Regency

Nungnung Waterfall
At Nungnung, a small village about 40 kilometers north of Denpasar and about 9000 meters above sea level, a 50-meter high waterfall can be found. Expansive rice terraces are evident just around the road intersection to the waterfall. A walk of about 2 kilometers off the beaten track will pass through lush green trees and plantations.

Petang/Pelaga Village
Located 800 meters above sea level, about 45 kilometers north of Denpasar at the northernmost point of Badung Regency. Both villages present interesting agro tourism areas due to their intact ecology. Their vast horticulture of vegetables, coffee, vanilla, corn and more add to the beauty of the sights and their charming atmospheres.

Tanah Wuuk
It is a beautiful river valley of “Tukad Penet” just 2 kilometers north of the Sangeh holy monkey forest. It is located off the main road, hidden behind rice fields, and is a very quiet and private place to enjoy the pristine nature.

Ayung River Rafting
The River Ayung is the longest and largest river in Bali, and along this river, white water rafting was first introduced in Bali. To experience rafting on the river Ayung’s west side is amazing, for besides the enjoyment of challenging rapids, the panorama of this beautiful, intact natural area is highlighted by the appearance of wild animals such as big bats, black monkeys, magpies, and more along the rafting route.

Monkey Forest Sangeh
About 14 hectares of the northern part of Sangeh village is home to the holy homogeneity forest of “Pala” trees which are inhabited by hundreds of monkeys. The trees cannot be found on any other part of Bali and their existence in this village remains a mystery. Look for the lovely moss covered temple, which is hidden amongst the tall and gracious “Pala” trees.

Traditional Village Of Baha
The population here is dominated by workers of the traditional farming community who own wide rice fields, and by the “Subak” organization that mainly functions to regulate water distribution for irrigation. The uniformity of the typical entrance gates of the family compounds, combined with the traditional housing structures present a charming appearance for the village.

Taman Ayun Temple
“Taman Ayun” means beautiful garden. Located in the village of Mengwi, 18 km west of Denpasar, it is indeed one of Bali’s most picturesque temples. The King of Mengwi, I Gusti Agung Anom, built its stately proportioned courtyards and large surrounding moat in the yard in 1634. Containing both the Royal family ancestral shrines and the storeyed MERU Shrines to the major deities, Taman Ayun is the main temple for the ancient kingdom of Mengwi.

The History Of Bali Art Festival

When tourism took off after 1965, the Balinese insisted that it followed cultural guidelines: if tourism was to be accepted, it was to be a cultural tourism, or "pariwisata budaya".

As the Balinese put it: "Tourism should be for Bali instead of Bali for tourism." In time, this idea become national policy, as part of a larger revping of regional cultures for national purposes. The policy owes much to the former Director General of Culture (1968-1978) and Governor of Bali (1978-1988), Ida Bagus Mantra, an Indian-educed Balinese. It led, on the one side, to the creation of enclave resorts such as Nusa Dua to limit the direct impact of tourism, and on the other, to a long haul cultural policy aimed at nurturing and preserving the traditional agrarian culture while adapting it to the demands of modernity, and in particular of "cultural tourism".

At the village level, local music groups, dances and other cultural events were inventoried, then supported by a series of contests at the district and regency level. The ensuing competition energized the cultural life of villages, whose "young blood" was already being drained to the city by the process of economic change and urbanization.

Schools of dance and art were created, in particular the Kokar conservatory and the STSI School of Dance and Music. Beside research, these schools replaced the traditional master/disciple relationship by modern methods of teaching; standardized the dance movements, produced new types of Balinese dances for tourism and modern village entertainment. Most important, it enabled former students to return to the villages as teachers, where they diffused, beside the creed of cultural resilience and renewal, new dances and standardized versions of old ones.

Many of the performances are held at the amphitheater which can hold up to 6,000 spectators, in a temple-like stage.

Each year, the Bali Arts Festival, beside the fed classical dances of the island, such as the legong, gambuh, kecak, barong, baris, mask dances and the like, is based on the theme around which new "dance choreography" is produced and old village dances and activities revived. Over the years, the whole range of classical Balinese stories - Ramayana, Mahabharata, Sutasoma, Panji - have thus been turned into "colossal" Sendratari Ballets.

The main challenge to the Arts Festival is obviously economic in nature. As village life is increasingly feeling the strains of monetary considerations, dancers, musicians and others cannot be expected to continue participating simply for the sake and the pleasure of it. As costs soar, new sources of financing have to be found. The obvious answer is the private sector and in particular the tourism industry. The greater task then is to convince the hotels, travel agencies and tourist guides to be more participatory in the Arts Festival rather than to their own sponsored events.

Considering the pride the Balinese have in their culture, and the adaptability and dynism they have always demonstrated, this little hurdle can be overcome. Trust the Balinese. They will eventually succeed to transform their tradition into a modern, Balinese culture of their
own.

Bali Art Festival

The Bali Arts Festival is a full month of daily performances, handicraft exhibitions and other related cultural and commercial activities during which literally the whole of Bali comes to the city to present its offerings of dance, music and beauty. On display are trances from remote mountain slopes, forgotten or recently revived village dances, food and offering contests, classical palace dances, stars of Balinese stage, odd musical performances, "kreasi baru" (new creations) from the dance schools of Denpasar, as well as contemporary choreography and dance companies from other islands and from abroad.

It is a month long revelry that perhaps no other place in the world can put up on such a low budget as the Balinese. Not only is their traditional culture alive and well, but they have a tremendous pride in it.

It begins in the villages, where the seka or cultural groups are selected and organized at the regency level, vie with each other to perform the Arts Festival and thus display in front of a large audience the uniqueness of their village of birth and resting place of their ancestors.

The Bali Arts Festival is the Denpasar cultural event of the year, perhaps it would no be too far fetched to suggest that it is the cultural event of Indonesia. The festival is thus a unique opportunity to see local village culture both "live" and at first hand. Tourists are warmly welcomed.

Serangan

Welcome to Bali Paradise... Serangan is a small island that lies off the Balinese coastline just south of Sanur and has long played an important role in local religious history. Despite its size, there are actually four temple compounds found on the island and Pura Sakenan is considered one of the holiest sites of worship for Balinese Hindu’s.

The origin of Pura Sakenan dates back to around 1250 during the reign of Raja Sri Masula Masuli when it was built by Mpu Kuturan. However, shrines, pagodas and other religious elements were added during the 15^th Century by Dang Hyang Niratha, a priest who was also responsible for the magnificent cliff top temple at Uluwatu.

Every Kuningan on the Balinese calendar a vibrant three-day temple ceremony is held and Pura Sakenan and worshippers flock from all over south Bali to the island to pray. Prior to 1996 the island was only accessible by boat and visits to the temple there were likened to a holy pilgrimage.

During the reign of President Suharto, Serangan Island was viewed as prime property and developers began a massive reclamation project that tripled the size of the island and built a bypass land bridge in anticipation of a luxury golf resort. But due to financial difficulties the entire project went into bankruptcy and the island and its sacred temple were saved from the clutches of greedy developers. As a result, Hindu worshippers now visit the island by car or motorbike, which some scholars believe de-sanctifies the overall pilgrimage.

Serangan Island is inhabited by over 3,000 people and almost half of them are involved in the fishing industry. Interestingly enough there is also a local Bugis community of approximately 300 Muslims who live side by side with the Hindu’s complete harmony. There is a rare mutual respect that exists between these two ethnic groups.

Serangan Island is also known as Turtle Island as for many years it was nesting ground for the Green Sea Turtle. Locals used to catch the live turtles as well as their eggs for consumption and unfortunately this exploitation resulted in the near elimination of all turtles in this area. In 2004 with the aid of international funding a Turtle Conservation and Education Centre was established on the island and the government imposed a strict ban on turtle trading. With local help, the aim of this centre is to nurture the growth of newly hatched turtles and release them at an age where survival rates are quite favourable. The fishermen of Serangan now try to safeguard these ocean creatures to prevent extinction.

The waters surrounding Serangan Island are popular with surfers especially during the wet season when west-south-west winds blow. The waves average 4-6ft and this once secret spot now gets quite crowded.

Bukit Jambul

Welcome to Bali Paradise... The name of Bukit Jambul was firstly given during the Dutch invasion in Indonesia by a tourist, who was inspired by a high hill standing on the south of the main road connecting Klungkung regency and Besakih of Karangasem regency. There is a Hindu Temple called Pura Pucak Sari on the top of the hill, which is surrounded by big trees. Below the temple complex there is a stunning panorama of rice fields. This makes the trees look like a tufting hair from a distance ( Bukit = hill, Jambul = Tuft of hair).

Location:
Bukit Jambul is located at Pesaban traditional village, Nongan village, Rendang district. It is approximately 8 kms from Klungkung regency to the north, and about 51 kms from Denpasar or 15 kms from Besakih Temple.

Facility:
This area is facilitated with food stalls or “warung” and also small restaurants, with a quite large parking lot.

Description:
Bukit Jambul is renown as an outstanding natural tourist destination due to the harmonious combination of hilly land, rice fields, valleys and the beautiful sea panorama in a distance. From high land, we will be able to witness the beauty of the nature beneath.

Balinese Farmers

Situated near equator, consequently, Bali has two seasons namely dry season and wet season. For centuries, Balinese have taken full advantage of these seasons especially in the field of agriculture. Agriculture in Bali depends highly on the availability of water that greatly affected by the seasons. There is great difference of water availability between the dry and the rainy season to cope, with this Balinese has invented a way or two.

One of many ways that applied by Balinese to cope with this difference is applying three different planting seasons namely Kerta masa, Gadon, and Pabianan, based on the seasons. These planting seasons are regulated using the traditional Balinese calendar, one rotation of these three seasons, usually needs one year of Balinese traditional calendar to complete.

Kerta masa is a planting seasons that starts in the rainy seasons usually around October. During this planting season Balinese usually plant the rapid growing rice. Gadon or kerta gadon is a planting season that starts in the beginning of the dry season usually around February; Balinese usually plant rice. The last planting season is pabianan that usually start at the peak of dry season; Balinese usually plant corn, soybean, or nut.

These planting seasons gives the Balinese farmers full opportunity to continue to farm even in dry season and at the end maximize the output of the agriculture activities in Bali.

Aneka Villa & Spa

The Only Dive Resort with the Romantic Atmosphere Alam Asmara Dive Resort Bali is formerly a resort called “Pandawa”, the resort has been transformed succesfully with passion, into a Romantic Dive Resort, offering 12 Bungalows which consists of 9 Superior and 3 Deluxe Bungalows. More than just a Dive Resort Not only does, Alam Asmara Dive Resort Bali have the basic facilities, to guarantee our personalized services, we only appointed a well-established and active member of PADI dive operator, as its partner to take care their guests need. South & East Bali Combo Package.

Candi Beach Cottage is located directly on the tranquil beach of Candi Dasa amidst swaying palm trees, in the quiet and natural surrounding of Mendira Bay on the East Coast of Bali, approximately 70 km northeast of Denpasar. As a sister hotel of Legian Beach Hotel, Candi Beach Cottage offers the same standard of service and facilities as the Legian Beach Hotel. It consists of the Hotel rooms and cottages setadmist beautiful green gardens. All rooms are nicely decorated and furnished in traditional Balinese style, yet offering all the modern conveniences. The hotel represent good value for money and though not large, offers a comprehensive list of guest facilities, including a tennis court, a fitness center and 2 swimming pools each attached with children’s pool which overlook the beautiful Indian Ocean; while at he other pool there is a sunken bar available.

A spacious sea front resort. Located in the tranquil Candidasa beach of eastern Bali. For those who seeking a difference place to explore the other side of Bali and experience lots of outdoor activities, its can be a perfect haven. GARPU Restaurant & Bar offers the tantalizing food variety & magnificent sea front view. The latest New AMBIENTE spa pavilion just perfect to rejuvenate all you body and soul experiences. Get your own way to spend the unforgettable days. The difference is… we care.

Discover one of Bali’s best kept secrets - the unique Watergarden hotel. Follow narrow brick paths meandering through lush tropical gardens, over small streams, past waterfalls and lily ponds, to find your private bungalow nestled amongst the verdant growth. Enjoy peace and serenity in the sleepy seaside village of Candi Dasa. From here one has easy access to East Bali’s spectacular unspoiled beauty. A short distance from the hotel one encounters dramatic views of Mt Agung, Bali’s sacred mountain; lush green rice terraces clinging to steep and sweeping valleys; traditional villages following age-old customs; colourful rituals and ceremonies; and crystal-clear seas rich in coral and marine life. Here there is a timeless quality as ancient cultures and traditions remain unchanged - an essential element of daily life.

Uluwatu Temple

Pura Luhur Uluwatu is one of Bali's kayangan jagat (directional temples) and guards Bali from evil spirits from the SW, in which dwell major deities, in Uluwatu's case; Bhatara Rudra, God of the elements and of cosmic force majeures. Bali's most spectacular temples located high on a cliff top at the edge of a plateau 250 feet above the waves of the Indian Ocean. Uluwatu lies at the southern tip of Bali in Badung Regency. Dedicated to the spirits of the sea, the famous Pura Luhur Uluwatu temple is an architectural wonder in black coral rock, beautifully designed with spectacular views. This is a popular place to enjoy the sunset. Famous not only for its unique position, Uluwatu also boasts one of the oldest temples in Bali, Pura Uluwatu. Most of Bali's regencies have Pura Luhur (literally high temples or ascension temples) which become the focus for massive pilgrimages during three or five day odalan anniversaries. The photogenic Tanah Lot and the Bat Cave temple, Goa Lawah, is also Pura Luhur. Not all Pura Luhur are on the coast, however but all have inspiring locations, overlooking large bodies of water.

Tanah Lot

Bali is true heaven of tourism. At least that existing fact and which I feel as part of Bali society which live and grow in Bali island. There are a lot of beautiful exotic place in this island. One of them is Tanah Lot. As tourism object, Tanah Lot is true famous. It’s called as icon of Bali Tourism beside GWK statue kuta, Sanur, Nusadua and Ubud Beach. As Icon, Tanah Lot is so enthused by all tourist, foreign or Domestic tourist.

Tanah Lot is True with fascination. This tourist object integrate consist of sunset moment that very beautifull with spiritual tourism marked by tanah lot temple. Even a number of tourist at the moment. Tourist can directly show activity of hindhu people ritual.

Tanah lot located in tabanan Regency. If you want to go there from Denpasar or Ngurah Rai Air Port just need 30-40 minutes but for local tourist from java island tanah Lot could reach from Kediri region located about 8 kilometers north of Tanah Lot and be important way (rush) Denpasar-Gilimanuk. The big……………..of Tanah Lot tourism object can not be let loose from Tanah Lot temple in the Midle of Beach for Praying, Hinduism come to Pura tanah Lot on foot across the beach. Just for five minutes, not too long. The beach water that must be accrosed undeep, just limit of knee.

Tanah lot temple established by Dang Hyang Dwijendra some one who has iron skill that live in majapahit kingdom in era 15. He comes to Bali for starting lofty Duty. Teach spiritual problems and social harmonization. By the Bali King that has power, Dalem Waturenggong Dang Hyang Dwijendra accepted and gived achance to spread Hindhu religion. In Bali, Dang Hyang Dwijendra establish some temples, one of them is Pura Tanah lot.
Beside Tanah Lot Temple and sunset view, there is another thing that proper enjoyed by tourist. That are sixs Pura the location in a row to the west from pura Tasnah lotwith walking for about 1 km, the tourist can find pura Pakendungan, Pura Penataran, Enjung Galuh, jro kandangBatu Bolong, Batu Mejan. All of that temple has unique, in Fact in the last Pura that’s Pura Batu Mejan be located in beach lips. There are 9 water sources out from under the beach and the water tasteless!. In order to enjoy all of interest places souronding Tanah lot tourism object, you must come early or before evening. After satisfied visit seven temples, in the evening you can enjoy sunset in the west part. Now, it’s time to leave from the beach (Tanah lot) But wait, have your hand bring the souvenir! Don’t worry because of that. In there, available art market that available some of crafts and Bali special food. The price, it’s cheap if you smart to bargain.